We need to choose what kind of city we want before we let the robots do it for us
There’s a scene in the 1942 Orson Welles film The Magnificent Ambersons that has some eerie parallels to today. The scene, set around the early part of the 20th century, is a confrontation between the maker of new-fangled “horseless carriages” (automobiles) and the old guard. In the film, the automobile is a metaphor for the …
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